Finally I have launched this pattern! No real reason for the delay, other than life getting in the way. This shawl was designed to use some handspun yarn of mine.

This was some of my earliest handspun lace weight, spun from two different braids of Corriedale fibre, one solid royal blue and the other a variegated blue-green. Plying them together resulted in a marled yarn with a gorgeous colour shift through the blues and greens, pretty but difficult to work with without having the colour changes fight with the pattern. 

The design needed to be something relatively plain, to allow the yarn to be centre-stage. With around 850 yards, I had enough for a good size shawl but a complicated lace design would have been completely lost. Sea Shift is almost completely stocking stitch which showcases the colour changes of the yarn, with varying eyelet rows to produce the Pi increases that form the semi-circular shape. Towards the outer edge, a section of mesh and garter stitch finish the shawl.

As with all my designs, the pattern is available in my Ravelry store, and you can buy the PDF pattern download by clicking here or on any of the photos.

It would appear I have designed another cowl pattern! I have been playing about with different constructions recently, and the idea for this one came to me while running. I seem to get a lot of design ideas while running, which is great because it means I've got time to think about them, but no so good because I have to remember all the details as I can't write them down!
This one came about because I had some gorgeous handspun yarn, made from Polwarth fibre, which I had spun to keep the colour progression through shades of grey, green and blue.

It's so soft I wanted to knit it into something I could wear against my skin, and I also wanted a design that would keep that beautiful colour fade without fighting with a stitch pattern. Stocking stitch seemed ideal, but I didn't want a plain round-and-round cowl, and there are enough simple scarf patterns already, so what to do. 
Then I had the idea of making a cowl but making it from a triangular scarf. I could visualise pulling the ends of a triangular scarf around so that they joined, and then knitting to "fill in the gap" as it were to make a continuous loop. I just couldn't immediately see how to actually do it. And of course a cowl doesn't need to be as tall as its circumference, unless you're knitting it for a giraffe!
A bit of maths and some sketches later, I came up with the stocking stitch version and set about knitting it with my handspun.

It really is so soft, and it was just what I wanted to do with the yarn.
Then I had the mad idea of trying to make it again, but in garter stitch. Easy enough, except for the one round in the whole thing, because I suddenly had an extra right side row to deal with which threw off the garter stitch. It hadn't affected the stocking stitch because you're always knitting the right side and purling the wrong side but there aren't any purl rows in garter stitch.
I was actually on a train when it got to that stage of the garter stitch sample, and I found myself having to write down exactly what I was doing so I could get it properly written up once I reached my destination. I'm glad the train wasn't busy - goodness knows what my fellow passengers thought I was up to - but my knitting engineering worked, and the garter stitch version came to fruition too.
As for the name, one of my favourite book ideas as a child were Mr Wonka's Square Sweets That Look Round in Charlie and the Chocolate Factory by Roald Dahl. The sweets are little cubes with faces on them, and Mr Wonka proudly shows them off to his visitors who all insist that the sweets do not look round. They most definitely look square. After much insistence, and much rejection of the notion by the visitors, Mr Wonka throws open the door of the room and all the square sweets on the table turn their eyes towards the door to see who is entering. Mr Wonka proudly declares that the sweets do indeed look round! Since this cowl is worked almost completely flat, except for one joining round, it is arguably a flat cowl. It just looks like it was worked in the round.

You can find the pattern here in my Ravelry store, or click through the photograph at the top!

I like to knit lace. I will happily knit lace scarves, cowl, socks, but my favourites are shawls, especially large and challenging ones. I’ve designed a fair few now, using stitch patterns from various stitch dictionaries, books and online resources, and I decided I wanted to try designing my own for truly original shawls.
I read a few tutorials and blog posts online which suggested different methods of designing lace and then off I went. Some don't get beyond a scribble on graph paper. The ones that look good on paper get swatched. If the swatch doesn't work, no big deal, it gets frogged. But I was building up a collection of swatches that I liked.
For the Christmas before last I was given a knitting journal but had no idea how to use it since I record all my projects on Ravelry. Then I realised the book was the perfect place to store my swatches. It is laid out with four pages for each project, with space to write about your design inspiration, graph paper for drawing up charts, and even holes punched to attach a small amount of yarn. Perfect for tying my swatches in. 
Now I can build up my own personal stitch dictionary!
My current design-in-progress is a circular shawl using four of my original lace patterns, all designed on a theme. I already have ideas for at least two of the others. Now I just need to find the time to use them all!

Things have been a bit slow here at Scarlett17Knits Towers (not my real address!) lately. Long story short, I was made redundant from my day job last month. Anyone who has been through a redundancy knows it can be an emotional process, even if you're expecting it. I wasn't expecting it which made it even more of a blow to lose a job I loved. I'm also someone who has always defined myself and my sense of purpose through my work. Without my job, suddenly I wasn't sure who I was any more. OK, I'm also Mummy, wife, knitter, designer, friend, daughter, but I didn't have "wage-earner" or "professional" high up on that list any more.
It completely knocked my creativity too. For about a week I didn't even want to knit (and that's how I know things must be bad!) or to spin. All my design ideas suddenly seemed pointless, not worth pursuing, or too hard work to get my brain around.

For now, I have decided to go freelance while I work out the next step on my career path and have signed up with an agency and, thankfully, have already started getting work (slowly, but everyone's got to start somewhere) which has massively helped my sense of professional self-esteem. I had two designs that were almost-ready which I had pushed aside when everything started falling apart at work, but which I now feel ready to pick up again. I've had them both tech edited already and will be looking for testers before the end of the week. I've also had my confidence boosted by the success so far of this month's pattern release (Shetland Marine, if you missed it), and by a weekend away with knitting friends that completely recharged my batteries. 

I'm working on a new sock design, and I've also made good progress on a circular lace shawl design, as well as casting on my first socks from handspun sock yarn!
I might have had a setback but I'm down but not out. Onwards and upwards, right?!

This month sees me back to the large lace shawls I love to design. (In fact I've got another being swatched as well. Just can't get enough of that lace!).
Shetland Marine is a top-down triangle, starting from a garter tab, and including beads. They're optional but they really do add sparkle to this delicate and feminine design, perfect for over a sundress or a plain shirt and jeans.

The pattern includes both charts and fully written instructions, so you can choose your preferred pattern style. 

If you'd like to knit your own Shetland Marine, you can find the pattern page in my Ravelry store by clicking through either photograph or the link in this or the first paragraph.

It's pattern release time again!! Letterkenny scarf is April's new release and I hope you'll like it! The long thin wedge shape is formed using simple short rows, resulting in a scarf that's close to 7 feet long (!) and wide at one end but narrow at the other. The stripes allow you to play with colour, use up leftovers from other projects if you wish, and the simple garter stitch pattern is easy to memorise for a quick and relaxing knit.

My sample scarf was a travel knitting project, ideal for a car passenger around the north west of Ireland (hence the design name), as it meant I could both occupy my hands knitting on a road trip, and admire the beautiful scenery without having my head in a pattern the whole way round. For the same reason, it makes great TV knitting too. 

You can link to the pattern in my Ravelry store by clicking on either of the photographs, or the pattern name above!

This weekend I decided to try a new-to-me spinning technique.
All the yarn I have spun so far has been plied. Even my very first attempt at spinning was plied, albeit with the skill one would expect from a complete beginner. After watching some online videos recently, I was inspired to try spinning singles that would remain as singles. I don't often knit with singles yarn, and I do like a nice tightly-twisted yarn so this would be a different direction for me, but I also wanted to have a go at some of the techniques I had seen in the videos.

I was given this fibre for Christmas and it's been sitting in my stash for over two months now because I had no idea at all what to do with it. I don't even know what it is - it came in gift packaging with no information about the fibre content. The only thing I knew was that it would felt - and that was only because I rubbed a small amount between my hands in hot soapy water to see if it would.

It's really not my colours - I prefer blues and teals, or blue-toned reds, and the overriding shade in this fibre is the fuchsia pink. It's not clear from this photo, but about half the fibre is that bright pink. I do like the pale green-blue but there wasn't a lot of that in there, and I really didn't like the combination of the dark purple with the frankly snot-green!
I decided if I was going to experiment with a new technique I may as well use fibre that I didn't mind if I messed up with. I could practice and experiment and if the whole lot ended up in the bin it would all be a learning experience and I wouldn't have wasted any favourite fibres.


I started out setting my wheel on its largest whorl, which is 6:1. I usually spin very lightweight yarn, but I knew that the low twist required for a singles yarn would be more stable in a thicker weight with more fibres drafted together so I decided to aim for something closer to a DK. Then it was what to do about the colours. After stripping the first section of the fibre to try to isolate each individual colour, I decided the pink was just too loud and in too large a proportion of the total amount of fibre for my taste. Then I tried combination-drafting two or three of the colours together in different combinations until eventually I ended up just drafting all five together at once to see what happened!

I decided I liked that effect better. Depending on where in the fibre I drafted from I was getting different optical blending effects in the spun yarn. Oranges, teals, purples and browns that weren't present in the dyed fibre were appearing in the yarn. It also made the spinning much faster!!

The entire 100g was spun in less than one afternoon. I just managed to squeeze it on to one bobbin!

Even with trying to manipulate the fibre colours with stripping and drafting, that fuchsia pink still dominated but I knew there were some fun colour mixtures underneath. 

Next step was to wind the newly spun yarn off the bobbin and into a skein, hoping it would hold together. I'd done lots of ply-back tests throughout the spin, trying to avoid overspinning it. Low twist really isn't my default spinning style but I was worried I'd overcompensated for my usual high-twist and had underspun it and the whole lot would fall apart! There are some areas of inconsistent thickness but to my pleasure and surprise the yarn held together at least for long enough to get it skeined up.
​

Next task was soaking and a little fulling. I'd never fulled my spun yarn before. I've felted garments, both on purpose and by accident (!), but always to proper felting. Past the point of no return, as it were! I also had the added challenge of my five-year-old deciding he had to help me, and that because water was involved he had to take his clothes off to do so!
I ran hot water in the sink, as hot as the tap would go so it was ok to dip fingers into for a second but I couldn't hold my hand in the water. I also had a basin of cold water, as cold as the tap would go. Between us, he and I dunked the yarn into hot soapy water and then into cold water, back and forth a total of three times.

After the third trip through the cold rinse, I could see the yarn was fulling - in fact I was worried I'd perhaps done one temperature shock on the yarn too many and perhaps ought to have stopped after the second cold rinse. It's a tricky balancing act when you don't really know what you're doing and you're trying to avoid splashing very hot water on to your naked child!

​Finally it was snapped to even out the distribution of any remaining twist, and hung to dry. (The yarn, that is, not my son!)

And here is my finished skein of yarn!

I've reskeined it, partly for ease of winding and also to make sure that the yarn has actually held together along its full length, and I'm so pleased with it! Still no idea what to do with it, but now instead of fibre I'm not fond of that I don't know what to do with, I have soft fluffy yarn full of interesting colour combinations in a DK weight I can use in a sensible quantity (about 250 yards).

It seems February vanished in the blink of an eye, and somehow here is March already, and another new pattern hits my Ravelry store.

Orchids for Eve is a DK weight cowl which was originally designed as a gift for my Dad's partner using my own handspun yarn.

It's worked up from the bottom edge, starting with a picot cast-on and finishing with a picot cast-off, both of which are explained in the pattern. The leaf lace pattern is both charted and written so you can work from your preferred style.

The inspiration for the pattern was the stitch pattern itself. I had seen a Ravelry design challenge to design a cowl using a leaf pattern, and I loved the picot edgings. The whole thing just kind of came together from there, and my handspun merino 3-ply behaved itself very well to make it.

You can find the pattern in my Ravelry store here or by clicking through the photo.

Or rather, gloves for kids. My five-year-old has been pestering me for “gloves with fingers” all winter. I have been putting him off, for various reasons. Firstly, he has perfectly good warm handknit mittens, which he can put on easily by himself. Secondly, I have other stuff I need/want to knit. There were Christmas presents and design samples and unfinished WIPs which all pushed gloves down the list. Thirdly, and probably the biggest reason, I have only ever knitted one pair of gloves before. Mittens, yes. Mitts, loads. Gloves with actual fingers, once, and oh boy were they fiddly! All those little tubes to make the fingers, the finished fingers getting in the way, the yet-to-be-worked stitches on holders getting in the way, and oh so many ends to weave in after finishing all those digits!
Finally I caved. Two afternoons, two gloves done!

The pattern is a free one from Ravelry, Gloves for Kids by Lise-Anne Michel. There’s just the one size, to fit a 4-7 year old, which was exactly what I needed. The yarn is two colourways of Wollmeise Pure hold together, Jewitta über Berlin and Admiral in der Wolke. They seem to be just what he was looking for, because he’s barely taken them off since they came off the needles!

Speaking of stuff on the needles, as well as a sample shawl using my handspun, I have another not-my-design pattern in progress at the moment too. I remembered this week I had promised my sister I would make sleeveless tops for each of my two nephews, and if I don’t make them soon they won’t need pullovers, they’ll need swimwear! This is a pattern called Kidding Around from Cygnet yarns which I found in a back issue of Simply Knitting magazine.

February's offering from my pattern store just went live! Leprechaun's Gemstones are top-down socks with a flap-and-gusset heel, sized from 7.25" up to 10.25" foot circumference. 
They were designed during a trip around Northern Ireland and the Republic of Ireland, and were actually the third incarnation of the original idea. The first draft biased so badly I couldn't wear them, and the second version looked great but the stitch pattern had so little stretch that even my 8 year old couldn't force an adult size sock over his heel. A trip back to the drawing board resulted in this lace sock with a pattern that appears to form a stack of cut gems down the sock. Invented in on the island of Ireland, and with so many rainbows (it rains a lot there!), it seemed logical that this sock treasure might be found along with the leprechauns' gold at the end of the rainbow.