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A brief history of the gansey

28/2/2015

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My latest pattern is SOCK gansey socks (pictured above, and available from Ravelry.com and through my pattern gallery here).
They were inspired by traditional fishermen's ganseys. While designing the pattern I did some reading around the history and traditions of the gansey, and they tell some interesting tales.

The origin of the gansey itself is hard to find. It is popularly believed that the word "gansey" is a corruption of the word Guernsey, and indeed such sweaters have been popular in the Channel Islands for over 200 years. However, they have also been around in fishing communities all over the British Isles from Cornwall to Scotland for just as long and it seems more likely that the name alone came from the island of Guernsey rather than the garment itself. Alternatively, the name gansey may have been derived from the word yarn.

Construction


The traditional gansey sweater was knitted in the round in one piece. A seamless sweater was stronger and more weatherproof. Knitters might add a "false seam", by working a pattern stitch up the sides. 

The sweaters would be made using 4-ply or 5-ply wool and small needles to make a firm fabric which would repel water.  The neck and cuffs were tight to keep out the wind. The sleeves were knitted downwards from the shoulders, which had two advantages. Firstly,  the lack of seam as mentioned, and secondly it meant, that if the cuffs or elbows became worn, the sleeve could be unravelled and re-made. 

Another construction aspect which helped to lengthen the life of the sweater was making the front and back identical. Being able to wear the garment either way around meant that areas of heaviest wear (like elbows) could be made to last longer by alternating the garment and reducing the wear on those areas.

Patterning


The traditional Channel Islands gansey is plain stocking stitch, but other communities around Britain are associated with more heavily textured and patterned gansey styles, with Scotland seeing the most highly decorated sweaters. 

The patterns on ganseys had practical as well as aesthetic appeal. Adding texture to the chest and upper arms of the garment increased the warmth. Since the garments were made in one colour (unlike Fair Isle or similar work), adding a texture pattern made the sweaters more distinctive and more interesting to knit. Traditionally, ganseys were blue, grey or cream. The original gansey patterns were passed on from knitter to knitter by word of mouth and families or communities might have had their "own" motifs or designs. 
 

The motifs themselves tend to be based upon fishing itself (anchors, diamonds representing fishing nets, and ropes) or upon zigzags, waves, crosses and columns. A specific design for each village appears unlikely though. Some fishermen in the 19th century were itinerant workers, following the fish, and the patterns and motifs would have been shared by the womenfolk who travelled with them. It does seem that some designs were more popular in some areas than others, but the idea that a fisherman washed overboard could be identified by the individual pattern on his sweater appears more a romantic myth than historic fact. 

And so to my socks..


When designing SOCK gansey socks I wanted to take some of the traditional aspects of the gansey, mix it with the practical differences between a sock and a sweater, and add my own individual ideas. The socks are plain stocking stitch on the foot with the patterning all appearing on the leg, along with a "false seam" of purl columns on the legs.

I used some traditional fishermen's motifs (the cross, zigzag lines, diagonal lines and columns) and added in some of my own (the lozenge, little triangles and the heart). I had read that some men may have had their initials knitted into their sweaters, and that idea became the letters S-O-C-K. After all, what better way of identifying this as a sock pattern than to knit the name of the garment into it?!
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Keeping the faith - how to keep plodding along on a large knitting project

23/2/2015

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This post is meant as a how-to, but mainly for myself! 

I'm currently working on a large lace stole with two borders. The first is worked in the round from stitches picked up around the outside of a centre panel, and then the second will be knitted on. I'm 8 rounds into that first one and, oh boy, is it heavy going?! It's not a complicated stitch pattern. It's just that each round is over 700  stitches around and taking ages! 

Long rounds+lace weight yarn=slow-going+wondering if I'm ever going to finish.

Each round is currently taking a good half-hour, so even if I sit down for an evening of uninterrupted knitting I'm not getting very far very fast and I need some ways to keep myself going.

Here are some ideas both instant and longer term:

1. Time trial - how fast can I knit one round? Set the clock and see how fast I can go.

2. Time trial 2 - can I beat my fastest time? Set a countdown timer and try to finish the round before it runs out.

3. See some progress - put a locking stitch marker (the kind you can remove, or, at a push, a safety pin or a piece of waste yarn tied on will do) to mark my place on Monday morning and leave it there. Watch how much further I work as the week goes on. It's easier to see how much progress you're making with a marker than trying to remember where you were up to a week ago.

4. Reward yourself - treat yourself with something small every time you reach a goal. Just be sensible about with what and how often. A sweet after every row sounds lovely, until you work out that the sweater has enough rows that if you do that, by the time you finish, you'll have outgrown it!

5. Declare a goal publicly - I belong to a Ravelry group called Resolutions Monthly. The group is a place where members can post their personal goals and challenges, and others can cheer them on (or commiserate if they don't quite make it). Nothing like making a public declaration of intending to finish a project to hold you accountable.

6. Bite-size chunks - there's an old saying that asks "how do you eat an elephant?" and the answer is "one bite at a time". The same can apply to large knitting projects. I'm not going to get the entire border finished in one evening, but I can aim to finish 6 rounds today, the remainder of the first border by the end of Wednesday, and then 10 triangles on the knitted-on border each day until it's done.

7. Set a specific reason to finish it - and declare that too! For example, "I'm going to wear this shawl at Emma's wedding", "I'm going to wear this sweater for dinner out with friends at the end of next month", "This is going to be Aunt Sally's birthday present this May", "I'm going to use this tablecloth on the Christmas table this year".

8. Take a break for light-relief projects - this can be a tricky one. Some people find if they take a break from a large project to make a smaller one (a hat, a pair of mitts, a baby sweater) they can come back to the larger one refreshed. For others, once they've given themselves permission to stop and make something else, that large project will languish in a bag in the wardrobe for months while that just-one-hat becomes a hat, and a matching scarf and mittens, and a soft toy for the baby next door, and a test knit of something for a designer they follow on Ravelry, and a pair of socks they like the look of in a magazine...... I think you get the idea.

It's a case of knowing why you are making the project, when you want/need to finish it, and your personal knitting style. In this case, I have declared the desire to finish it by the end of February (looking increasingly unlikely but if I don't try I won't make it), wanting to get the project off the needles in time to start a new specific one for a knit-along that begins in a few weeks' time, and being a largely monogamous knitter who doesn't tend to store works-in-progress long-term. 
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5 reasons to knit small projects

19/2/2015

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Knitting projects come in many different sizes and levels of commitment. Sometimes I want to knit a sweater or a large shawl; other days I want to work on something small like mitts or socks. It's not always easy to decide what to knit on any given day, so here are some reasons to knit small projects.



1. They make great gifts. A pair of hand knitted mittens makes a wonderful small gift. Practical, stylish, quick to make and handy to keep in a pocket in case of a chilly day.

I like Dancing Dolphins mittens by Sonja Launspach, available in Women's Small, Medium and Large.
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2. They're brilliant stash busters. If you have lots of odds and ends to use up there are plenty of patterns for small projects that will burn through those part-balls left from other projects. I make a lot of socks, so I have a lot of sock yarn leftovers looking for the right pattern.

I like Rosabella Mitts by Elanor King, a pretty pair of mitts which are ideal for using up small lengths of sock yarn, sized for children or women.

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3. They're quick!! When you need instant gratification, a small project might be just what you need to feel that sense of achievement of a finished item in a short period of time. What could be quicker and easier than a dishcloth? I can finish one of these in one evening.

Poplar - the dishcloth by Julia Stanfield
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4. They're portable. If you like to knit on the move, you need something small and easy to bring along. If you commute by public transport, a pair of socks or mittens, a shawlette or a cowl are easy to knit in transit. If you knit on your lunch break, at your desk or under a tree in the park, a small project is perfect to bring along without needing to take your entire knitting kit with you. 
I like socks for moveable knitting. Even quite complex ones can be made easily on the move. Once you've set the toe up, you've got several inches of straight knitting, no shaping, just the patterning. Turn the heel and you've got several more inches straight up to the cuff. A copy of the chart (for personal use) takes up little space.

I like Crocus Socks by Wendy D Johnson, among others.

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5. They're miniature works of art. They say small is beautiful, and as far as knitting goes, that's very true. Something you knit on the train on the way to work, something you make while riding in a car (as a passenger, of course!) on a long drive, something you create while waiting for appointments, can be a truly stunning small thing of beauty. Whether you keep it to admire for yourself or give it to someone knitworthy who will appreciate the work, skill and love that went into it, your small projects can be amazing.

I like Sonetto Shawl by Judy Marples.

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So, what do you like about small projects? What kind of small projects do you like to make? Which patterns do you recommend to other knitters? I'd love to see your ideas.....
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Stretcher slouch hat

16/2/2015

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Previous readers of my blog may remember that random evening commute of pattern inspiration I mentioned earlier this month. This one. The evening when I was inspired to create a slipstitch hat. Well, here is that hat! I tend not to make hats as I don't usually wear them. Anyone with a nose like mine needs to take care that their headgear compliments it rather than drawing attention to it and the beanie-style hats I've worn in the past have just made me look, well, beaky! For some reason this hat decided it was going to be a slouch style, which I've never worn before, but I think I've found "my" hat! It's a quick knit, in DK weight yarn with an easily memorised pattern, and I'm really pleased with it.
Use coupon code blogpost to get 25% off until end of February 22nd 2015. (If you're in the EU, the coupon code won't work. PM me through Ravelry and I'll refund you the equivalent of the discount through Paypal.)
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Dishcloth in the dark

15/2/2015

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This morning I took my 5-year-old son to the cinema to see Big Hero 6. (Incidentally, if you have a couple of hours to spare over half term you could do worse with 5- to 10-year-olds, especially boys. The animation is amazing and we both really enjoyed the story. But I digress...)

I can't just sit and do nothing, even watching a film. At home, if I'm watching TV I'm knitting, and it's the same at the pictures. You just have to pick your project. Anything other than tube socks or straight garter stitch are tricky in almost complete darkness. Since it was an early showing, all I had time for was to grab a couple of oddments of dishcloth cotton and a circular needle and busk it while I watched.

I was quite surprised by the size of dishcloth I had created once the lights came up, but this large cloth (it's about 10" high and about 11" wide) is going to be great for wiping the kitchen surfaces with ease.

Here is the pattern:

You will need 4mm needles (I used circulars for cinema knitting, as I'm less likely to drop them and lose them under the seat in front!)
You will need about 100 yards (92m) of dishcloth cotton (I used Knitpicks Dishie), all one colour or a mixture as you prefer.
Darning needle to weave in ends.
Tension is not vital for this project (let's face it, it's a cloth!) but I got 18 stitches and 31 rows to 4" (10cm) of garter stitch.

Abbreviations:
K = knit
KFB = increase 1 by knitting into the front and back of the stitch
K2togtbl = decrease 1 by knitting 2 stitches together through the back loop

Instructions
Cast on 27 stitches. 
Increase row: KFB, K to end of row.
Work Increase row 23 times more, until you have 51 stitches.
Work straight in garter stitch for 28 rows.
Decrease row: K1, K2togtbl, K to end of row.
Work Decrease row 23 times more, until you have 27 stitches. 
Cast off knitwise. Weave in ends.


And that's it! You could make this all in one colour, make it striped or however you wish. It makes a great stash buster. I just used the purple until it ran out and then joined in the yellow. 
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The relevance of maths

11/2/2015

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I have always loved numbers. At school, maths was my favourite subject and I enjoyed it for its own sake. It made me sad, and it still does, when people ask "why do I need to learn this? I'm never going to need it again". Never say never, people. Not once in school did I ever imagine that my enjoyment of numbers would have a practical application in knitting pattern design.

Let me explain.

I am currently designing a lace shawl in the Shetland tradition, with a centre panel, an Old Shale border, and a lace edging. The centre panel is worked first. Stitches are picked up from around the edge and the Old Shale is worked out from it. Then a lace edging is knitted on. Of course, all those require a certain number of stitches or rows for each repeat, and they all need to work together. 

I had based my initial calculations on the size of a previous shawl I had made using the same yarn but using a much less open stitch pattern. When I blocked my swatch I noticed how much more I loved the lace when it was blocked really aggressively, but that created an issue. If I blocked it until it begged for mercy, the finished work was going to be huge. I want a shawl I can wear, not something I can lend to boy scouts for camping trips!

Bring on the maths. At school I never would have dreamt that one day I would be trying to calculate the number of repeats required for a 14-row repeat to allow me to pick up stitches around the edge that will work for an 18-stitch Old Shale repeat. But wait, it gets more complicated. That number also needs to be divisible by 12, as my lace edging has a 12-row repeat. And all of it needs to give a shawl with pleasing dimensions. 
"Never going to need maths again?" says you.
"Don't go into knitting pattern design" says I.
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Do you suffer from TTTK?!

8/2/2015

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This evening I am experiencing an unusual and unwelcome phenomenon, hereafter known as TTTK. That is, Too Tired To Knit. This is not something I'm used to. Even after a hard day at work, a trying evening with the kids, and fitting in the household chores, I usually look forward to relaxing for a while with needles and yarn. But not today.
This weekend I have been at a family gathering with a difference. Let me explain. My husband has a large extended family and one of his family members owns a country house hotel in the South of England. Since 2003 it has been a family tradition that, roughly every other year, an invitation is extended to the family to come together in the hotel for a weekend of hospitality and good food, in exchange for work in the grounds. Or perhaps I should describe it as Work in the grounds. See the banks in the first photograph? See the rhododendrons at the bottom? On Saturday morning, that  ravine was filled from bottom to top with them, and with laurel saplings and brambles. Where he's walking wasn't even visible, let alone accessible.
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23 adults and 13 children, ranging in age from 13 to 2, can make a lot of difference even to the jungle that was there before. Cousins with chainsaws, uncles with winches, in-laws and partners with loppers and secateurs and leaf-blowers, a family with a sense of purpose all working together. Even the littlest ones helped out gathering up sticks cut from dead trees, piling up firewood for the grown-ups to deal with, and what a lesson in so many life skills. How many children get the chance to learn about teamwork, land management, proper use of tools and equipment, respect for fire, outdoor safety, like this?

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All this hard physical work and fresh air has left me happy, to have spent time enjoying myself with family; with a sense of achievement, at having been a part of such a great team effort to clear the land and get the silted-up stream starting to flow again; aching, from lifting, carrying, dragging and cutting; and with my first case of TTTK! And so to bed, and here's to more energy for knitting in the morning!!
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Design inspiration - bit of a left turn at the lights!

4/2/2015

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Before I started designing, I sometimes wondered where pattern designers got their ideas. I thought I'd never be able to design because I just wouldn't have any clue what to design. Now I find myself thinking up ideas at all kinds of random times. Like yesterday, for example. Granted it's very cold here at the moment which does turn the thoughts to warm woollens sometimes but driving along yesterday I found my mind straying from the motorway to knitting.
'What to design next?' I pondered. 'I've done three pairs of socks in a row, maybe it's time for a change. Mitts are good, I like mitts, but it's too cold for mitts. How about mittens? I haven't designed any mittens yet and they are on my to-do list'.
 But what kind of mittens? It was early evening and the clouds were making interesting patterns in the darkening sky. 
'Stranded colourwork? That's always fun, but there are so many out there, and it's fiddly. What about slip stitch?'
An idea had begun to form. Mentally I rummaged in my stash for yarns that could become slipstitch mittens, and by the time I got home I knew what my next design would be. 
So what's on the needles right now? That's it - a hat!!!
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Pooling: when multicoloured yarn fights back!

2/2/2015

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See that? No, not the beautiful lace stitches. No, not the stunning colours. What I'm looking at is that weird pooling effect going on in this lacework. That noughts-and-crosses, someone's-making-criss-crosses-in-your-knitting thing. 

When you knit with multicoloured yarn, sometimes the colours come out randomly mixed and sometimes the interplay of stitch counts and yarn dye lengths and tension means that the colours start to form blobs ("pools") or lines ("flashes") in your work. Of course, the laws of the universe usually mean that what you end up with is two circular pools in unfortunate positions on the front of your sweater!

Some yarns are deliberately dyed to form stripes or spirals, usually meant for knitting with socks. And some people take the time to work out how many stitches they will need in a row to get the colours to stack up on top of one another, intentionally pooling the colours. 

In my case, I'm getting what can be described as an argyll pattern, forming crosses of one colour against a background of the other. And it's completely accidental, and it's not really what I'm after. So how can I correct it? I need to break up how the rows are stacking on top of one another without damaging the stitch pattern. The easiest way is to change my knitting tension. Using a smaller or larger needle (or knitting more tightly or more loosely) means I use a different amount of yarn for each row which disrupts how the colours fall along the row.

Time to try again with a looser tension, I think!
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Shetland Lace Knitting - learning something new

1/2/2015

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One thing I love about knitting is that there's always something new to learn. This week I am learning about Shetland Lace. I've done lace knitting before but  never knitted lace. "There's a difference?" I hear you cry. There is! 

In lace knitting there is a "resting row", a plain row every other row between the patterned rows. 
In knitted lace there can be pattern stitches (yarn overs, decreases etc) on wrong-side as well as right-side rows.

The Shetland Isles have a long history of fine lace knitting, including the wedding ring shawls - shawls made so fine they can be passed through a wedding ring. The stitches and patterns date back at least as far as the 1850s and probably much further.

I'm really enjoying this book, The Magic of Shetland Lace Knitting by Elizabeth Lovick, as a beautiful and informative resource about Shetland lace. The book gives a brief history of the Shetland knitting traditions, a basic knitting tutorial, and then there are pages and pages of stitch patterns to choose from, laid out according to the number of stitches they require with charts and clear colour photographs. There are also patterns for different projects to knit (socks, shawls, a hat and more) for those who don't feel ready to design their own yet.

I feel inspired to just dive right in! My first knitted lace pattern is going to be a shawl, made in Wollmeise Lace-garn. I have an idea, I've done the maths, I think this is going to be fun! Watch this space!
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